Innovative solutions for post production professionals


Premiere Pro Import Using Media Browser

Posted by on Jan 19, 2015 in Adobe, News, Tutorials | 0 comments

Any video editor who’s been working with Adobe Premiere Pro over many years and versions has likely used DV capture via Firewire, or has captured from tape using a third-party capture card. The preferred import method for that captured footage was, and still is, to use “File > Import” in Premiere Pro to bring in the .avi or .mov clips, ready to edit. Even if you’ve been more recently introduced to Premiere Pro editing, File > Import may at first seem the most obvious, if not only, method to import your media. However, times have...

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Fixing out-of-focus HD video footage

Posted by on Jul 22, 2014 in News, Tutorials | 1 comment

You’ve shot some important, irreplaceable footage, only to later discover that it’s slightly out of focus. What can you do? This happened to me recently on a dance recital shoot which is my biggest event of the year, recording six 2.5-hour shows over two days. I rented a newer HD camera for the event to get better low-light performance – and a better image overall – than my older HDV camera could provide. I’d rented that same camera the year before, so I knew how to use it and loved the results I’d gotten last time. Being...

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Mezzanine Codec Options for PC Video Editors

Posted by on Jun 29, 2014 in News, Tutorials | 0 comments

In years past, it was often necessary to convert, or transcode, original HD camera video clips into another codec, known as an intermediate or mezzanine, prior to beginning any editing. These new clips had far less compression applied, and were therefore easier to decode for playback. Mezzanine codec file sizes fall in between those of the camera source clips and uncompressed video, hence the name. Most newer PCs having decent specs, such as those with Intel Core i7 processors, should have no problem editing AVCHD and similar sources natively,...

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Top 5 Reasons to Upgrade Your Workstation

Posted by on Feb 6, 2014 in Computers, Safe Harbor, Tutorials | 0 comments

Whether you need a completely new system, or just a few minor tune-ups, here are the top 5 reasons to upgrade your workstation. 1)      Slow Boot Drive. Many older computers are still booting up with SATA or even IDE hard drives. A workstation equipped with an SSD will likely boot in seconds and not minutes. SATA hard drives require time to speed up and will continue to be slower than a solid state drive during regular operation. SSD drives will not only boot faster but also launch applications faster. The extra time saved with the...

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Adobe Encore CS6 Preview Quality Fix

Posted by on Mar 7, 2013 in Adobe, Tutorials | 0 comments

  When making a DVD in Adobe Encore CS6 on your PC, you may find that the video playback looks very low res and jagged in the Monitor window, but will snap back to a sharp image whenever playback is paused. There is a quick solution in the Edit > Preferences panel. Simply change the Playback Quality to High, and Display Mode to Accelerated GPU Effects, as shown in the comparison images. You will see in the top example that any diagonal lines are quite “steppy”. It’s even more noticeable during playback than the still...

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The Great Debate – NTSC HD vs. PAL HD

Posted by on Oct 19, 2011 in Tutorials | 1 comment

Technically, the title of this article is incorrect, since NTSC and PAL refer to standard-definition video formats. Nevertheless, you may see these terms come up in the various places, so please read on and it will soon make sense. As HD video was first gaining momentum a few years back, many videographers were excited that we might finally be able to have a worldwide video standard that would eliminate the incompatibility issues between the NTSC and PAL video formats used in different countries. In case you’re not familiar with the...

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Do I Need Uncompressed Editing?

Posted by on Oct 19, 2011 in Tutorials | 0 comments

If you are doing work for broadcast delivery, you may want to consider capturing and editing in an uncompressed format. Digital video cameras all use some sort of compression on the video file before saving, or the data files would be enormous. Even though the source video may have been compressed, in an uncompressed workflow, further image degradation is kept to a minimum and graphics and compositing will remain cleaner. AJA and Black Magic Design offer capture and playback cards for uncompressed workflows. For Mac users, the ProRes 422 codec...

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Making Money with Dance Recitals

Posted by on Oct 19, 2011 in Tutorials | 0 comments

I’ve been videotaping dance recitals for 15 years now, and it’s proven to be a lucrative segment of the event video market for me as owner of Digital Vision Productions. Parents spend a lot of time and money sending their kids to dance lessons, and it all comes together once a year at the big recital held at the end of the season, usually in May or June as school lets out for summer break. Parents, grandparents, aunts and uncles all come to the theater to view the performances, and it’s a big deal. Younger performers might only be in one...

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Updates to DVD Export Settings for MXO2 CS5.5 Users

Posted by on Oct 19, 2011 in Matrox, Tutorials | 0 comments

If you’re using Premiere Pro CS5 or CS5.5 on the PC with Matrox MXO2 hardware, there’s some important information we’d like you to be aware of to get the best DVD export quality. This info only pertains to exporting “MPEG-2 for DVD” from a Matrox NTSC sequence – if you’re using a Matrox HD or Matrox PAL sequence, the cropping does not apply and you may disregard these instructions. With the CS4 drivers for MXO2, a Matrox NTSC project was 720×480, but starting with CS5, Matrox changed this to 720×486. Since DVD...

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NewTek TriCaster Live Web Streaming – Push or Pull?

Posted by on Oct 19, 2011 in NewTek, Tutorials | 0 comments

The NewTek TriCaster, available in several models, offers live web streaming of the video content you are producing with the unit. Live streaming allows viewers to see your production across the local in-house network, or around the world via the internet. There are two available streaming options with TriCaster, known as Push and Pull. Pull is the simplest option for small audiences – users on the local network or the internet can “Pull” the stream right from the TriCaster itself. This works ok for just a few viewers, since your...

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