Innovative solutions for post production professionals

Staying Native or Going Intermediate? Transcoding and Premiere Pro CS5

Posted by on Oct 19, 2011 in Adobe (Licenses), Tutorials | 0 comments

In this brief video, Worldwide Product Evangelist Jason Levine will explain the basis of transcoding, showcasing the workflow outside of...

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miniDV or HDV tape for an HDV camcorder?

Posted by on Oct 19, 2011 in Tutorials | 0 comments

HDV camcorders record to inexpensive miniDV tape. You can get special HDV-graded tapes, but they can cost several times more than miniDV...

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Apple ProRes 422 codec vs. Uncompressed HD

Posted by on Oct 19, 2011 in Apple, Tutorials | 0 comments

UPDATE — October, 2011: ProRes is no longer just an editing codec – it’s also used in portable field recording devices to bypass...

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IRE Setup with Matrox RT.X2

Posted by on Oct 19, 2011 in Tutorials | 0 comments

IRE is a measure of brightness for NTSC video, with black being 0 and white being 100, with shades of gray in between. In the US, the black...

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Consistent White Balance for Live Events

Posted by on Oct 19, 2011 in Adobe, Tutorials | 0 comments

When videotaping live events such as wedding ceremonies, school plays, concerts or dance recitals, the videographer typically has no...

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Matrox MXO or MXO2?

Posted by on Oct 19, 2011 in Matrox, Tutorials | 0 comments

Which video adapter is right for your Mac? The MXO is an output-only device, while the MXO2 offers both input and output and is...

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